About me.
Throughout my projects, I’ve developed a preference for clean, minimalist aesthetics, where simplicity, order, and contrast play a vital role. I believe that design is more than just creating an image; it is about crafting a powerful visual language that can convey ideas, emotions, and concepts effectively. For me, design serves as a tool to communicate meaning and evoke a response, making each project a unique narrative.
I consider myself a versatile, organized, and curious designer, capable of adapting to new challenges and collaborating effectively in a team environment. I draw inspiration from everyday life, the people I meet, the places I visit, and the experiences I live. I am constantly seeking new sources of creativity, always ready to learn and evolve as both a designer and an individual.
1
This comprehensive identity system was developed for the Global Identity course to unify and strengthen the visual presence of one of Southern Europe’s most iconic hiking trails, connecting the Cantabrian Sea with the Mediterranean. The graphic system draws inspiration from cartography, mountain landscapes, and technical outdoor gear. It is applied consistently across both digital and physical touchpoints, specifically designed to guide and accompany hikers throughout their journey.
2
A web-based digital archive that catalogues and preserves the visual history of Valencia’s cast-iron street infrastructure. This project was born from an interdisciplinary collaboration between interactive design and web development courses. Moving from a high-fidelity Figma prototype to a live, functional website built with HTML and CSS, the archive organizes pieces by manufacturer, year, and typology, shedding light on the often-overlooked typography and industrial design found on city pavements.
3
This identity system was designed for Lambda’s 2026 Pride campaign in Valencia, focusing on the critical role of education in combating homophobia and fostering human values. The graphic proposal makes a direct nod to the educational sector through irregular, organic strokes that evoke a childlike visual language, the design creates an approachable yet powerful call for empathy and inclusivity inside and outside the classroom.
4
Developed for the Audiovisual Graphic Design course, this infographic video addresses the environmental impact of acoustic pollution on marine ecosystems. The project features a non-conventional visual narrative where graphic language and sound are deeply intertwined. Utilizing TouchDesigner and After Effects, the piece combines generative graphics with motion design to create an immersive experience that highlights the urgency of this climate issue.
5
Editorial Publication on the 2024 DANA in Valencia
This editorial project explores the devastating DANA that struck Valencia in 2024, causing severe damage and loss. Rather than focusing solely on the facts, the publication offers a reflective and philosophical perspective on the events, drawing on the thoughts of great thinkers throughout history. Through intentional use of color and typography, the design conveys the emotional weight of the catastrophe and highlights the fragility of the human condition in the face of natural disasters. The publication seeks to provoke thought and empathy, while inviting the reader to reflect on resilience, vulnerability, and collective memory.
6
This project involved designing a book jacket for , reinterpreting its message to emphasize its psychological and philosophical depth over its military connotations. The final design uses a minimalist yet impactful approach, with a childlike illustration representing the theme of war through the lens of innocence. A balanced composition, earthy and contrasting colors, and military-inspired typography were carefully chosen to reflect the duality of war and strategy.
7
This project was developed for the subject of Corporate Identity and consisted of a redesign proposal for the official coat of arms of Jávea, a coastal town in Alicante. Although the municipality had already updated its historic emblem, I believed there was still room for further simplification and refinement. My goal was to create a more contemporary and versatile version of the coat of arms, preserving its essential symbolism while reducing visual complexity. The result is a cleaner, more modern interpretation that maintains a strong connection to the town’s heritage.
8
This project focused on creating a transmedia advertising campaign for Javea Cars, a car rental company in Jávea. The goal was to attract young audiences to rent a car during the Fallas festival, offering an alternative to the city's crowds. The campaign included posters, event tickets, participant T-shirts, QR stickers, and social media content. A cohesive visual identity was maintained across all formats, ensuring a dynamic and engaging experience that reinforced the brand’s appeal to a younger audience.
9
This project consisted of creating a video résumé as part of the Photography and Audiovisual Media course. The video was both directed and performed by me, showcasing my lifestyle and personal approach to filming and editing. It was crafted to reflect my individuality and skills in creating engaging, authentic content for digital platforms.